Moments musicaux Op.16 No. 4 Presto e minor - Piano
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Transcriptions Bach Prelude Alexander Ghindin. Transcriptions Bach Gavotte Alexander Ghindin. Transcriptions Bach Gigue Alexander Ghindin.
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Transcriptions Schubert: Wohin Alexander Ghindin. Transcriptions Rachmaninoff: Les lilas Alexander Ghindin. Transcriptions Rachmaninoff: Les marguerites Alexander Ghindin. Transcriptions Tchaikovsky: Lullaby Alexander Ghindin. Transcriptions Mussorgsky: Hopak Alexander Ghindin. Transcriptions Kreisler: liebesleid Alexander Ghindin. Transcriptions Kreisler: Liebesfreud Alexander Ghindin. Other Albums by Alexander Ghindin. Prokofiev: Romeo and Juliet.
In Summer he performed Beethoven's 3rd Piano Concerto at the Beijing Great Hall of People in a televised pre-olympic gala concert for an audience of 7, Alongside his solo career Dejan Lazic is also a passionate chamber musician.
He records exclusively for Channel Classics and has released a dozen of recordings so far. In Fall he released a CD with the London Philharmonic Orchestra under Kirill Petrenko playing Rachmaninov's famous 2nd Piano Concerto - a live recording that has earned rave reviews from critics and audiences worldwide and in addition it won the prestigious German Echo Klassik Award Dejan Lazic is also active as a composer.
Six moments musicaux (Rachmaninoff) - Wikiwand
His works include various piano compositions, chamber music including String Quartet op. This concert was also recorded live by Channel Classics and the CD was released in January to great critical acclaim. Download Booklet Save to bookmarks. Repertoire London Philharmonic Orchestra.
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Lazic heeft begrepen dan Rachmaninoff's muziek geen grote gebaren behoeft om diepgevoeld te zijn. Pianowereld Rachmaninoff zonder ijlkoorts … er zit rust in het spel van de pianist, net als in de opname, die het klavier prettig balanceert met het London Philharmonic Orchestra. Unvergesslicher Klavierabend! Dejan Lazic strahlt wie ein Komet am Klavierhimmel.
Other Albums by Alexander Ghindin
Klavierkonzerts von Rachmaninow Try, for instance, holding the supple melancholy of the first of the Moments dissolving in soft raindrops of color at the end up against the implacable solidity of the last of the Moments. Yes, there is a certain consistency here: The technique is solid listen to the evenness of the 16th-note triplets in the second Moment , but never self-aggrandizing; the textures are always lucid, but never glaring in their clarity; the lyrical effusions are sumptuous, but never gushing; the rhythms are elastic, but never slack try the climax of the G-Minor Etude-tableau.
But while that description might seem to imply a certain moderation certainly, she is not a pianist who revels in excess , her composure is not allied to any sense of inhibition. The soaring lines of op. No surprise therefore that I should be looking forward to another disc from the same creative and technical team and a pleasure to report that all my hopes and expectations are fulfilled. This new offering is a superb disc on every front; well-programmed, excellent engineering and production values all backing up piano playing and music-making of stellar quality.
From the very first listen it was clear that this was a very good disc indeed but its exceptional quality impinged on me with each repeated hearing. This is because Wang does everything so very very well that at first the sheer technique and musicianlyness of her playing slips you by.
Finding content featuring compositions by Sergei Rachmaninoff:
She wears her phenomenal technique with such unassuming ease that is only when you compare her playing to other major international artists you realise that where they bluster and fudge she is all clarity and layered control. This is a fascinating and transitional set with the twenty-three year old Rachmaninoff beginning to create a sound world uniquely his own.
This Presto is a surging, stormy showpiece with streams of running figurations over which the melody heroically sings.
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Wang is totally at ease with the subtle ebb and flow this music requires but the real brilliance is in the clarity of the inner lines with every note perfectly etched, balanced and articulate. I still enjoy the sheer drama of his playing but he sounds musically generalised and technically challenged in ways that Wang brushes away. Taken together this Op. Wang gives the most convincing performance of this highly enjoyable set that I have ever heard.
Praise at this point too for the programme playing. David Nice in his liner note is predictably insightful on both musical and psychological levels. By title alone this Op.